Matthew P. Motley House, Warren County, Kentucky

I just spent some quality time on the floor with my toddler, drawing pictures of houses with (this is a very important fact) washable crayons. My drafting skills are not the finest, but I executed two renderings of a fairly one-dimensional dwelling, each house with a central door flanked by a window on either side – the typical child’s drawing of a house. But the actual house occupying my thoughts while I drew is far from typical or average or standard.

The very unusual and fascinating facade of the Matthew P. Motley House.

From a distance, the two-story, one room deep frame dwelling looked like many other 19th century farmhouses across Kentucky. But as we neared the front of the house, I rapidly reassessed that conclusion.

The entry door on the Motley House. The arrangement of the transom makes me wonder if the opening originally held double doors, like its counterpart on the second story.

A five-bay wide house is common – but not one with three sets of doors on the first and second stories. Each room has a door to the exterior, opening onto what was likely a full-width two-story porch. The second story porch was still in place, but with a fairly modern metal balustrade.

Many historic Kentucky dwellings follow this same form – a two-story main section, with a one-story, two room ell extending to the rear.

If the Motley House had possessed two front doors, in a four bay wide arrangement, I would not have been that intrigued. But this – a window/door/door/door/window arrangement on both stories of the facade – perplexed me.

The staircase in the central passage, first floor.

But despite the dizzying number of doors on the facade, the interior plan of the Motley House smacks of traditionalism  – it’s a straightforward central passage plan.  This house plan, which had become the preferred house plan for middling and prosperous Kentucky farmers by 1850, a centrally placed hallway stretches from the front to the rear of the dwelling, with a room to either side.*

A typical single-pile (one room deep) central passage plan with an ell.

So replace the windows on either side of the centrally placed entry door on the plan above, and you would have the Motley House.

And the questioning begins…why? Why built a fairly typical house with such an typical arrangement of windows and doors? Who did it serve? Where did the idea come from?

Side elevation of the Motley House.

Matthew P. Motley was born in Allen County, Kentucky on September 2, 1827.  Shortly after his marriage to Sarah J. Knowles in 1853, Motley moved to Warren County and built this dwelling. A large sawmill on his farm (which would eventually encompass 550 acres) provided the milled timber for the house.

The Motley House on the 1877 Atlas of Warren County, Kentucky.

A late 19th century biographical sketch of Motley provided this sketch of the man behind this remarkable house: “He began his life at wagon-making and blacksmithing, and later engaged in farming and at the carpenter trade. He is not a member of any society religious or otherwise, but neither swears nor uses tobacco in any form, and was never under the influence of liquor in his life. In politics he is staunch Democrat.”**

The interior of the second story central doors.

And that is about all of the background I could glean about Matthew Motley. Census records shed no light on the multiple doors on his house – he only had three children – and there is no hint that he was running an inn or a tavern, in which it would make sense for every room to have its own door.****

Layers of wallpaper=layers of interior design decisions.

Did Motley, in his travels, come across a similar building and use it for inspiration? Was he simply seeking the best in air flow and circulation of people? Motley’s father was from North Carolina, and I did wonder if there was a connection in that direction.

The circa 1845-46 Humphrey-Williams House in Robeson County, North Carolina. Image from North Carolina Architecture by Catherine Bishir and Tim Buchman.

The Humphrey-Williams House in North Carolina (above photo) has similar fenestration, at least on the first story, and also has a central passage plan. But without knowing more about Motley’s life, this is just idle speculation.

Interior finish in one of the downstairs rooms.

Based on what I could tell from both the exterior and interior finish of the Motley House, the openings are original.

The woodwork is a very restrained Greek Revival, with four panel doors and Greek Ear trim. All of the main rooms on both floors were heated – the second story rooms likely had stoves.

One of the chambers on the second floor.

This may seem like an exercise in useless conjecture by an architectural historian on Christmas holiday…but I’ve yet to see another house from this period built like the Motley House that didn’t have some sort of public (such as a tavern) use.

The Motley House, deconstructed. Image courtesy of J.Eric Thomason.

And I will never get another chance to scratch my head and try to puzzle out the mystery – for this past fall the Motley House was taken down and shipped to Georgia, where it is rumored to be reconstructed.

Interior of the downstairs rooms during deconstruction. Image courtesy of J.Eric Thomason.

One of the best parts about this blog is finding the kindred spirits who are also obsessed with historic architecture – so I put the Motley House out there for speculation, theories, and questions.

Although Warren County, Kentucky, is full of historic sites – the Motley House was sadly never documented by the Kentucky Heritage Council, the State Historic Preservation Office, so there are no secondary records to consult – only my brief visit two years ago.

The rear of the Motley House, spring 2016.

I wonder if the “new” old Motley House, rebuilt somewhere in Georgia, will look anything like the original? And will it, in another 150 years, be puzzling someone else?

 

 

*A central passage plan can also be double pile – with two rooms on each side of the passage.

** Battle, J.H., William Henry Perrin and G.K. Kniffin. Kentucky Genealogy and Biography Volume II, third edition, 1886.

***Many thanks to Gardens to Gables South-central Kentucky Representative, J. Eric Thomason, for introducing me to the Motley House and keeping me abreast of its fate.

****After the initial publication of this post, I heard from a Motley family descendant, who confirmed that the house was built as a turnpike inn – the family lived in the back portion (ell) of the house.

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Comments

  1. Pamela Larue says:

    Sadly, the old houses in South Central Kentucky have not been as well documented as the ones in Central Kentucky.

  2. Joseph Stephen Hays says:

    Please contact me for more information on this home. Matthew Motley was my great great grandfather.

  3. W. White says:

    I believe people should read the post Preservation in Mississippi ran several years ago “Just to Clarify: Demolition ≠ Preservation.” https://misspreservation.com/2009/04/07/just-to-clarify-demolition-%E2%89%A0-preservation/

    While the Motley House is not suffering the exact same fate if it is to be reconstructed elsewhere, moving and/or reconstructing a building away from its historical context is an absolute last resort for saving a historic building. It is not just to be used if someone in Georgia (probably the Atlanta suburbs) wants an “authentic” historic building instead of a tract home.

    As far as whether the Motley House’s Kentucky history will be remembered, I will simply reference my post “HABS in Mississippi: Stealing an Alabama HABS Structure – ‘Jacinto’ Doctor’s Office.” https://misspreservation.com/2018/09/20/habs-in-mississippi-stealing-an-alabama-habs-structure-jacinto-doctors-office/

    That building was a HABS-documented community landmark of exceptional architectural interest and a long local history in its original setting. It was moved (intact) less than fifty miles to the grounds of a local history museum in another community, county, and state. It still exists, but what exists is just an old building (sometimes even referred to as a reproduction old building) with no past, divorced from all frames of reference.

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